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Heavy Black is all capital brush font, made from real brush pen with original texture. it can work with any design project, such as clothing or street wear logos, headlines, social media, quotes, and more. The original texture will give a strong impression on your design.
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| Download Heavy Black Font Family From Panritype Studio |
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TOMO Minkwalk is a casual but legible hand-made font. A tall, single weight, all-caps typeface with lots of language support. Ideal for book covers, or large pieces of text. Have fun!
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| Download Mindwalk Font Family From TOMO Fonts |
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Kembara Cinta - a new fresh & modern hand lettered font, decorative characters and a dancing baseline! So beautiful on invitation like handicraft, greeting cards, branding materials, business cards, quotes, posters, and more design concept!
Features :
Unique ligatures
Stylistic sets
Basic Latin A-Z and a-z
Numbers
International Symbols included
Punctuations
Need help? If you need help or advice, please contact me by e-mail "fargunstudio@gmail.com"
Thank you for purchased
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| Download Kembara Cinta Font Family From Fargun Studio |
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Good Thinking is a beautifully designed handwritten font that’s both authentic and charming. Use it to turn any design project into a true standout!
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| Download Good Thinking Font Family From Letterara |
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Introducing our new font Kinsale Display. A bold and strong looking display font that not only heavily inspired by the vintage/classic letterforms, but also some touch of modern twists and absurdities. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its wide and blocky letterforms make Kinsale is a great spacekiller. Suits best for title/headline, logo/logotype, packaging/label designs, etc.
Packed with 300+ glyphs, weaponized with standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, and ligatures. This font is a must have item for your designing arsenal. Get yourself one and start creating something cool!
THANKS AND ENJOY!!!
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| Download Kinsale Display Font Family From Fontdation |
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Rembord is a modern, inclined and slightly condensed typeface.
This font contains a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.
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| Download Rembord Font Family From Eurotypo |
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Parnas is an amazing font that can be used in a classic style or in a more expressive and elegant with alternative and ligatures, of which there are many. Set the style and mood of your design, because just a few touches can absolutely change it. With it, you can easily realize all your ideas.
Classical forms, smooth lines, sharp serifs, weightless style, various weaves, long tails, all this and much more will give you many options for creating your project and will not leave indifferent even the most demanding.
This font is easy to use, has OpenType features.
This font has 900 glyphs and includes:
- 190 Alternates for Uppercase
- 168 Alternates for Lowercase
- 74 Ligatures for Uppercase
- 70 Ligatures for Lowercase
- 10 illustrations
- Multilingual support
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| Download Parnas Font Family From Larin Type Co |
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Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003).
During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted.
These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms.
The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics.
Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.
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| Download Referenz Grotesk Font Family From Sudtipos |
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Roughmarker font consists of two handwritten scripts, a slant (regular) version and upright.
This Script fonts are manually handwritten with quick and rough strokes. We write them on paper until we find a very proportioned form. Then we scanned and took the selected glyphs to be processed into a font. The biggest challenge in making textures fonts are the very many node points, many node points make the font processing performance a bit slow. At first we tried raising the node parameters to 2000-4000 points in one glyph. This is a big number, but if this number is lowered it will eliminate the impression of brush and natural look. We repeatedly look for gaps to minimize points so that the font capacity is not too large and comfortable when typed.
This script font is equipped with ligature as well as several alternate according to handwriting habits, very effective in the sense of not too much but often used.
This font is the great choice for contemporary brands, especially for businesses in fashion, urban style, websites, trends in architecture, cosmetics, and energetic lifestyle themes. An attractive typographic layout makes it also looks more premium in writing quotes.
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| Download Roughmarker Font Family From 38-lineart |
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Cinnamon Cookie is combination of cute-uppercase-display-font with beauty-lowercase-script-font.
When it is used together, it is almost perfect for various usage such as; wedding invitation, signature, decoration, until the range of kids products.
It also support international characters. Other than that, you will get couples of additional stylistic set characters to improve/enhance your design.
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| Download Cinnamon Cookie Font Family From Tigade Std |
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| Download Sportsboard JNL Font Family From Jeff Levine |
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Introducing Reeline - Luxury Handdrawn Font
Reeline born from handdrawn style fonts. With many ligatures open you need for the great work ever. That's available on other file from letter A-Z and a-z with allcaps only.
Versatile for design poster, logo, branding, label, quote, headline profil, banner, t-shirt design, packaging, magazine, brochure, and many more your amazing work with this fonts.
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| Download Reeline Font Family From Good Java Studio |
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Dossier is a monospaced serif face that originates in Dwiggins’s designs for typewriter. It has a soft and casual personality and comes in 8 weights and matching italics, making it ideal for text typography, package and advertisement design.
Dossier is an adaptation of William Addison Dwiggins’s unfinished typewriter faces. He worked with multiple typewriter manufactures including Underwood, Remington Rand, and IBM, but none of them were finished. He left a number of intriguing drawings which are now kept at the Boston Public Library. You could see in the drawings that Dwiggins was also interested in exploring designs of varied width.
Toshi Omagari decided to combine these materials to make a cohesive family: the upright was taken from a drawing of monospaced lowercase for an unknown client, and the italic was from the work he did for Underwood which he called ‘Aldine’. Toshi added narrower and wider alternates in the same way Dwiggins devised.
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| Download Dossier Font Family From Tabular Type Foundry |